Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Wednesday, October 1, 2014

"To a Friend / Essay on Blanqui" by The Imaginary Party























The ingenuity of the Imaginary Party's essay on Blanqui is that it goes way beyond merely contextualizing Blanqui; it even goes beyond trying to defend the indefensible Blanqui, the revolutionary who is unacceptable to everyone, especially self-proclaimed revolutionaries. "To a friend" (as the preface is also known) aims to be a modern Blanquist statement: an advancement of Blanqui's own ideas and actions by people unafraid to be called "Blanquists." Who will stop these "agents" of the Imaginary Party from seizing these positions? No one. This terrain is completely empty of other combatants; and no one will want to re-take it once it has been seized. A very neat trick: affirm Blanqui by negating his absence. And, more importantly, a very meaningful gesture: there are other once-revolutionary terrains can be re-taken by agents of the Imaginary Party without firing a single shot.
Part of the introduction from translator's collective 
NOT BORED!
3 June 2009



"To a friend"

"To judge from the current disposition of people's minds, communism isn't exactly knocking on the door. But nothing is as deceptive as the situation, because nothing is so changeable." (Blanqui)
We are still afflicted by many superstitions. We have our collective hallucinations that are only doubted by the crazy, and our images of ourselves that are only distinguishable from those of yesteryear by being more secular. We meet our equals and we sincerely believe we see persons and people. We love someone, and we speak of "the Other." A century separates us from a certain life and we postulate it as being faraway. Dissimilar customs or a few variations in vocabulary are sufficient to convince us of an uncrossable distance. But what we understand can only be a part of ourselves; what we understand cannot go much further [than that]. Enlighten yourself: Blanqui[1] is not a historical person. He does not return to us as a phantom from the 19th century, though a century can traverse the ages. Blanqui is from yesterday, tomorrow, today. Blanqui did indeed exist, the facts attest to it, but the facts also attest to the fact he existed, above all, as a conceptual persona, like Nietzsche's Zarathustra, Bataille's Gilles de Rai or Artaud's Heliogabale.[2] From whence comes Blanqui's proper eternity. Gustave Lefrancais notes in his Souvenirs: "For the 400,000 voters of la Seine, 'Blanqui' is a revolutionary expression."[3] The name 'Blanqui' relates, not to a person, but to an existential possibility, to a manner of being-there, to a power of affirmation. If Blanqui was named "the Imprisoned One," this was in part due to his three decades in jail, but also due to the stubbornness with which this power remained in the historical figure of Blanqui. Prison, glory and calumny are the means that opportunely command the necessity of isolating [human] existences that are too ardent.
*
The universal desire to be someone, to be recognized, founds the comic atrocity of our era and gives it an aspect of free improvisation in the midst of crazy people, an open-air theatre of narcissistic pathologies of all kinds. We divert our glance from this bad show. We imagine a being who could not close his or her eyes to the horror of the present (this canvas of boredom, injustice, stupidity, separation and cynicism, the disastrous coherence of which is guaranteed by the police); a being who a kind of infirmity, certainly, but also perhaps some spirit of defiance had rendered unable to remain at peace with such a state of things; a being who had also found, while still young and in the midst of rioting, fires and conspiracy, the exact contraries of what he saw around him: intelligence, courage, adventure, friendship and truth. Such a being -- and there is no doubt that there were a number of people who, at that very moment, lived and sought each other out -- would be Blanqui, as much as Blanqui was Blanqui. Each moment of his life, each beat of his heart, would be propelled by these unique questions: How to do it? How to constitute a revolutionary force? How to win? Historical figures are there to provide screens for the powers that carry them. Nothing is simpler, clearer, more communal than Blanqui. And this is precisely why it will be necessary to cloud this menacing clarity with so many calumnies, rumors and dirty water. There is no "Mystery of Blanqui," despite all of his nocturnal intrigues, secret enterprises and [other] confabs. There is only bottomless evidence of a revolutionary existence. But what devil drove him? How could he still attempt, how could he still want to apply himself, always and forever, to theorizing [penser] the situation after so many betrayals, losses and disappointments? And what does it all mean? Don't worry, spectators: he will cave in one day and you will be able to whisper about him. Or he will triumph, and you will succumb. By waiting [for Blanqui], he will be your obsession; it will be your possibility that you will exhaust by incessantly conjuring him up.
*
"The me has always left me cold."[4] This is what Blanqui opposed to the malevolent hysteria, to the concert of jealousy that his very nature sufficed to unleash. And this redoubled the din. He who does not deign to respond to his accusers, who have in their turn circulated rumors, he must expect to see them become exaggerated, then dry up into thin streams of bile. Warning to the activist milieus:
"If you encounter these personal hatreds, jealousies and rivalries of ambition, I will join with you to weaken them; they are one of the scourges of our cause; but remark that they are not a special plague of our party; all of our adversaries suffer from them as we do. They only explode with greater noise in our ranks because of the more expansive character and more open morals of the democratic world. Furthermore, individual struggles focus on human infirmity; it is necessary to resign oneself to such weaknesses and take men as they are. To lose one's temper about a fault of nature is puerile, if not stupid. Firm spirits know how to navigate through the obstacles that can't be removed but which can be avoided or overcome by anyone. Thus, we know to yield to the necessity and, deploring the evil, never slow down our march. To repeat: the truly political man doesn't keep obstacles in mind and instead goes straight ahead, without otherwise worrying about the pebbles on the road ahead."
This is in the letter to Maillard.[5] Read it.
*
Dionys Mascolo[6] said something about Saint-Just that is also worthy of Blanqui: "Saint-Just's 'inhumanity' lay in the fact that he didn't have several distinct lives, like other men, but a single one." The custom among human beings is to let life go by. The hand on the shoulder that says, "Go, have no cares, it will pass," is the best-known carrier of this grippe. Thus, 'inhuman' is the one who devotes herself to the highest intensity she has encountered like a truth. The one who does not oppose herself to the shock, to the motion of experience, the hesitations of bad faith, skepticism and comfort. She becomes a force in her turn. A little discipline, and this force -- the force that attaches her to this intensity -- will successfully organize the maelstrom of attractions that compose all of us and imprint upon them a unique direction. What spectators stupidly call "will" is instead an unreserved abandon. For Blanqui, the intensity was insurrection. It was insurrection that, from the first days of July [1830], polarized his existence. "Liberty, equality, fraternity" is a decoration in bad taste for the porticoes of schools; for some it is also the most succinct expression of the experience of being in a riot. "Liberty, equality, fraternity" in street combat, facing death. It is still too soon to say how many Blanquis were born to the world in Genoa [Italy] on 20-21 July 2001. So many have already died from being unable to find, in the desert of the real, the road that leads there. "Weapons and organization -- these are the decisive elements of progress, the serious means by which to have done with poverty! He who has iron, has bread. We grovel before the bayonets; we sweep away the unarmed crowds. France bristles with workers in arms: it is the advent of socialism."
*
We lead ourselves astray by reviving the specter of "the superman."[7] Blanqui's enemies amply take up this question. "Somber temperament, haughty, unsociable, hypochondriac, sarcastic, great ambition, cold, inexorable, pitilessly breaking men to pave his road. Heart of marble, head of iron." "The head and heart of the proletarian party in France" (a journalist). "The most cynical of the demoniacs conjured up by the fear of modern society" (a reactionary). These are maneuvers suited to assure the isolation of a being outside the prisons. The superman is a toy, as man is a chimera. It is sufficient to distinguish between the mediocre existence that floats and navigates by what is possible, and the settled existence that is attached to a truth and works and makes headway from it. It isn't curious that the word "destiny" [destin] is derived from the [Latin] verb destinare, which means "to attach."[8] He who becomes devoted [s'attache] must become less and less a "person" and more and more a presence. Less and less "human," but more and more communal, simpler. With good cause, the subject of such an attachment is treated as "irreducible," because it is no longer reducible to itself. For our part, we are please to name the reducible the crowd of those who, taking themselves for people, betray themselves at every moment.
*
On the eve of the proclamation of the [Paris] Commune, [Adolphe] Thiers took Blanqui away. He kept Blanqui in secret and refused to exchange him for sixty-four hostages, including the Archbishop of Paris. Flotte[9] recounts this remark by Thiers: "To bring Blanqui to the insurrection is to send him a force equal to an armed corps." Blanqui is feared, and even in his own party, not as a leader, but as power. He knows how to show his abilities in [both] action and thought, and to practice [tenir] them together. One need search no further for the origin of the implacable hatred and the unfailing loyalty that Blanqui inspired. "The tribunes compare [s'addresser] the heroic and barbaric beastliness of the multitudes to a wild bearing, the lion's face, Taurus' neck. As for Blanqui, the cold mathematician of revolt and reprisals, he seems to hold between his thin fingers the tally [le devis] of the sorrows and rights of the people" (Valles, L'Insurge).[10] Blanqui addressed himself to justice and determination; he addressed himself to his equals. Unlike a leader, he neither flattered nor snubbed anyone, and he preferred to keep people at a distance than to take the risk of [mutual] seduction. By his very existence, he contradicted all the bourgeoisie's propaganda, which -- before turning insurgent Parisian proletarians into piles of cadavers as tall as barricades -- began by painting them as a shapeless mass, as a brainless Plebian class of thieves, drunks, prison-escapees, headless devils, creatures that were unintelligible, monstrous and foreign to all humanity. And so: there is a logic of revolt. There is a science of insurrection. There is an intelligence in the riot, an idea of upheaval. It is necessary to have all the class-hatred of de Tocqueville to fail to recognize it.
"There then appeared in front of the tribunal a man who I only saw that one day, but whose memory has always filled me with disgust and horror. He had haggard and sunken cheeks, white lips, a sickly, wicked and unclean air, a dirty pallor, the bearing of a moldy body, apparently no underclothes, an old black frock coat gathered about thin and emaciated limbs. He seems to have lived in a cesspool and crawled out; one told me that this was Blanqui." (Souvenirs).
*
"Sink the Romantics!" These were Blanqui's first words, while he was still sweating, covered with gunpowder, at the end of the three days in July 1830. There is indeed a romantic feeling for life that extends down to us and even more profoundly infests our era than the previous century. Musset[11] codified it once and for all in 1836, in the first few pages of La Confession:
"A feeling of inexpressible malaise thus begins to ferment in all the young hearts. Condemned to rest by the sovereign of the world, delivered up to the pedants of all species, to idleness and boredom, the young people see recede from them the foaming waves against which they had prepared their arms (. . .) At the same time that the life of the beyond was so pale and petty, the inner life of society took on a somber and silent aspect; the most severe hypocrisy reigned in morals (. . .) This was like a denial of all things in heaven and on earth, which one could disenchantedly name despair, as if lethargic humanity had been thought dead by those who felt its pulse. In the same way that the soldier of yesteryear -- whom one had asked, "What do you believe in?" -- answered "In me," the youth of France would today say "In nothing.""
All that has been valuable in the last two centuries -- in all domains -- has been made against the romantic feeling for life, that is to say, by keeping it in mind. Lautreamont's Poesies, Chklovski's Lettres de non-amour, Deleuze and Parnel's Dialogues, and Gang Of Four's album Entertainment[12] mark out a front that includes Durruti's cold passion, Lenin's best intuitions, Italian feminism, Huey P. Newton's speeches, the urban guerrilla and the wind that blows through la villa Savoye.[13] All this reveals what we would, in opposition, call the Blanquist feeling for life. [His texts] L'Eternite par les astres and Instructions pour une prise d'armes[14] are the purest expression of it in this volume. Starting with what is here, and not with what is missing, with what (as they say) will default on the real. Never wait; operate with those who are there. Learn oneself, learn [other] beings and situations, not as entities, but as intersections [parcourus] of lines and planes, traversed by misfortunes [fatalites]. No afterlife, reveries, recriminations or explications. "One only consoles oneself too much." To renounce the idea of chaos, the simple mental transcription of renunciation -- "The shadow of chaos never existed, it will never exist, anywhere." Once what is there is accounted for, get organized. Do not recoil from any logical consequence. Those who speak of revolution without concerning themselves with the questions of arms and supplies already have cadavers in their hands.[13] Leave the questions of origin and finality to the metaphysicians; the here-and-now is our only starting point, and what we can do practically is our only serious goal. If the state of things is untenable, it is not because of this or that, but because I am powerless within it. Never oppose the necessities of thought and action. Remain firm in moments of ebb, when one must start again, alone, from the beginning: one is never alone with the truth. Such a way of being can find no excuse in the eyes of those for whom life is only a scholarly collection of justifications. Faced with this Blanquist way of being, resentment hurls invectives; it denounces "the taking of power" and "megalomania"; it erects its security corridors of bad faith, stupidity and contentment; it announces the banning of the monster that seems to be in the process of extricating itself from the human herd.
But when a sincere man, leaving aside the fantastic mirage of the programs and the mists of the Kingdom of Utopia, leaves the [romantic] novel to enter reality; when he speaks seriously and practically -- "Disarm the bourgeoisie, arm the people: these are the first necessities, the only signs of the health of the revolution" -- oh! then indifference vanishes and a long howl of fury resounds from one end of France to the other. Sacrilege! Patricide! Hydrophobia! There is rioting; the furies are unleashed upon that man; he is condemned to the infernal gods for having modestly spelled out the first words of common sense.
*
The partisans of waiting have always used the adjective "Blanquist" as an unanswerable insult. The purists among the anarchists use it as a synonym for "Jacobin," while the Stalinists used it as the equivalent of "anarchist." The cultivated imbeciles of the Encyclopedia of Nuisances,[16] who for twenty years have had the lucid courage to relentlessly bet on counter-revolution, have [also] spoken of the Unabomber's "imaginary Blanquism" so as to better dissociate it from his gestures, and thereby introduce their grossly falsified translation of his Manifesto.[17] Among Marxists, "Blanquist" is a synonym for "putschist" that denounces an avant-garde adventurism and a haste to get organized without due care for theory, while the masses are not always ready for it. All this surface confusion is of no interest. "Let's go! With patience, always! With resignation, never!" That is the Blanquist way. The alternative is not between waiting and activism, between participating in "social movements" and forming an avant-garde army; it is between being resigned or organized. A force can grow in an underground [sous-jacente] manner, according to its own rhythm, and can seize the time at the opportune moment. If the success of the October coup d'Etat had value for the Bolsheviks [in the form of] the admiration of a crowd of followers and opportunists of all nationalities, the unfortunate attempts of Blanqui -- surrounded with an evil aura -- at least had the merit of distancing him from this race of wood lice. In its text On the armed struggle in Western Europe, the Red Army Faction cites a passage from the famous article on partisan warfare written by Lenin: "In an era of civil war, the ideal of the party is a militarily engaged party (. . .) In the name of the principles of Marxism, we categorically demand that one does not dodge the analysis of the conditions of the civil war via cliches and worn-out phrases about anarchism, Blanquism and terrorism, and [we demand] that one does not come to discuss with us the scarecrow of certain absurd procedures applied by such and such organization in a war fought by partisans."
*
He who becomes absorbed in a destiny finds himself on equal footing with those who share it. The experience of friendship is the sweetest effect of such discipline. "I regard having made alliances and friendships with several hearts capable of great affection and great sacrifices like a conquest; it is an ability that everyone has." Just as love falls under the heading of the romantic cesspool, friendship belongs to Blanquist joy. It is that rare form of affection in which the horizon of the world does not disappear. Hannah Arendt says that "friendship is not intimately personal, but poses political requirements and remains oriented towards the world." Here beings belong to each other in a free state, that is to say, each belongs to the others as much as each always-already belongs to a destiny. If Cicero's Lelius foresees the dangers of secession that friendship poses to the City, it is because an unjust world, a detestable society, doesn't get forgotten in friendship as [it does] in the suffocating ecstasies of love. It still has the chance to orient itself against such a world, against such a society. To speak in blunt terms: today, all friendship is in some way at war with the imperial order or it is only a lie.
*
Lacambre, Tridon, Eudes, Granger, Flotte and the majority of Blanqui's co-conspirators were at first only friends who did not repress their latent politics. Conversely, all friendships have a conspiratorial kernel. In 1833, Vidocq[18] deplored the fact that there were more than a hundred secret societies in Paris. Any history of the revolutionary movement in France between 1830 and 1870 carries the trace of the societies that -- clubs as far as the regime would permit -- changed into hotbeds of clandestine propaganda or conspiracies when repression came and once again became clubs the moment that the regime vacillated. In 1848, there were no less than 600 [secret societies] in Paris, including -- to mention only one -- the club of l'Emeute revolutionnaire, located at 69 rue Mouffetard and presided over by Palanchan, an old accomplice of Blanqui. The official history of the workers movement has it that the conspiratorial tradition -- with its oaths, admission rituals and secret decorum -- succumbed during the development of the workers movement, though it had been its crucible. Did not the members of the League of the Just, ancestor of the League of the Communists, participate in the aborted insurrection of 1839, launched by the Society of the Seasons? Wasn't it Buonarroti who delivered the precious message of Babeuf to the modern world? Certainly one wasn't admitted to the so-called Revolutionary Communist League as one was admitted to the Association of Egalitarian Workers in 1839.
"Listen with confidence and without fear: you are with communist republicans and consequently you now begin to live in the era of equality. They will be your brothers if you are loyal to your oath, but you will be forever lost if you betray it. They have all sworn to it just as you have sworn to it. Always listen with the greatest attention: the community is the veritable republic: work in common, communal education, property and pleasure; it is the symbolic sun of equality, it is the new faith for which we have all sworn to die! We know no borders, boundaries, or homeland; all communists are our brothers; the aristocrats [are] our enemies. Today, if you fear prison, torture or death; if you find your courage to be weak; you should withdraw. To enter our ranks, one must confront all that: once the oath has been taken, your life belongs to us; you have risked your neck [19] and that of the one who will lead you for the rest of your days. Reflect and respond."
With the end of the era of conspiracies, the workers movement supposedly passed from its infantile to its adult phase, from night to light. At least according to Marxist historiography. The public organizations of Social Democracy took up the slack from shapeless proletarian politics. From the League of the Communists one proceeds by degrees to the International Association of Workers and the existence of Social Democrat Parties in all countries [of Europe], while the anarchists [supposedly] sank stupidly into terrorism and syndicalism. The truth is that conspiratorial politics never ended. [Supposedly] all the traditional links, all the familiarities based on trade and neighborhood -- the village, in short -- on which proletarian politics rested until the Commune have been irreversibly destroyed. And that the organizations that have substituted themselves for a thenceforth missing "people" have only demoted [repousser] the conspiratorial to "the informal" and have consequently de-ritualized all that depends upon friendship. At bottom, the conflict between Marx and Bakunin concerning the International and its alleged infiltration by an obscure International Alliance of Socialist Democracy (founded by Bakunin) came down to this: on the one side, a politics based on programs and, on the other, a politics founded on friendship. A Prussian, Karl Marx did not expect the sad end of the League of Communists due to his hatred of the politics of friends. His 1850 review of Chenu's book Les Conspirateurs already oozed pure hostility.[20]
"The entire lives of these professional conspirators are marked by the sign of Bohemia. Recruiting-sergeants for conspiracy, they shuffle from wine merchant to wine merchant, feeling the pulse of the workers, choosing their people, attracting them to [the] conspiracy by dint of cajoling them, and charging to the firm's account or their new friend the inevitable glasses that they themselves consume. In sum, the wine merchant may be consider the veritable fathers of their companionship (. . .) Due to a temperament that is very much shared by all Parisian proletarians, the conspirator doesn't delay becoming an accomplished "carouser" in this incessant tavern ambiance. The shady conspirator, who observes a rigid Spartan virtue in the secret sessions, suddenly loosens up and becomes someone who -- in the eyes of all the scholarly barflies -- knows how to appreciate wine and women. This tavern joviality is even more heightened by the constant dangers to which the conspirators are exposed: at any minute, he could be called to the barricades and perish there; at each step, the police lay traps for him that could lead to prison or even a galley ship. Such dangers precisely constitute the attraction of the trade: the greater the insecurity, the more the conspirator hastens to enjoy the pleasures of the moment. At the same time, the habituation to danger renders him completely indifferent to both life and liberty. He is as at home in prison as at a cabaret. Every day he expects to receive the order to go into action. The desperate rashness that manifests itself in every Parisian insurrection is precisely the contribution of these old professional conspirators, the henchmen. They are the ones who erect and command the first barricades, who organize resistance, lead the pillaging of armories, seize weapons and munitions, and carry out in full upheaval those audacious blows that so often throw the party in power into confusion."
Here one has a faithful description of the type of man that Bakunin was at the continental level. Bakunin, who could not in the course of his incessant transcontinental peripatetics encounter a being whom he liked without unloading upon him the statutes of his most recently formed secret society, hoping that he would adhere to what the Program and Object of the Secret Revolutionary Organization of the International Brothers calls a "kind of revolutionary [general] staff composed of individuals who are devoted, intelligent and sincere friends, especially; neither ambitious nor vain; of the people; capable of serving as the intermediary between the revolutionary idea[l] and working-class instincts. The number of these individuals thus most not be large. For the international organization in all of Europe, one hundred strongly and seriously allied revolutionaries would suffice." In truth, conspiratorial politics hasn't ceased to double all the organizational realities. In Spain, the FAI doubled the CNT, while its military office paid no attention to the Social-Democrat Workers Party in Russia. [in Russia,] Lenin was the only one up on the latest expropriation of Kamo, in 1912, [which worked] to the advantage of the Organization. [In Italy,] the "illegal work" commission of Potere Operaio[21] tasked itself with auto-financing, and [in France, it] was evoked by the constitution of the "invisible party." The party -- this is often forgotten -- has never ceased to be legal and illegal, visible and invisible, public and conspiratorial. It is one of the traits of the present that, at the moment we need all the resources of conspiratorial politics, we no longer understand anything about it. It is necessary, at any cost, to maintain the following epistemological principle: the history of he revolutionary movement is, first of all, the history of the links that make up its reality [qui font sa consistance].
*
Resentment's rationalizations have the art of inverting logical relations. For more than a century, and notably since The Protocols of the Elders of Zion, every event finds its explication among the slaves in a conspiracy by the powerful. The global petite bourgeoisie dote upon this literature, because it comforts its ignorance and powerlessness. The progression of conspiracism [complotisme] has everywhere followed the progression of this "class." In fact, the revelation that the powerful conspire against us only serves to mask evidence of the contrary: the power that is found in friendship and through conspiracy. In his preface to Histoire des Treize, Balzac[22] expresses as no one else the ambivalence of this power, which can return as aristocratic secession just as it can give birth to a revolutionary force.
"It happened that, under the Empire and in Paris, thirteen men equally struck by the same feeling, all endowed with a very great energy for being loyal to the same thought; quite honest amongst themselves due to never betraying each other; quite profoundly political so as to dissimulate the sacred links that unite them; strong enough to be above the law; bold enough to undertake anything; very happy for having almost always succeeded in their designs; having run the greatest dangers, but keeping quiet about their defeats; insusceptible to fear, and having never trembled before the prince, the executioner or innocence; having accepted each other, such as each was, without minding social prejudices (. . .) This world apart from the world, hostile to the world, accepted none of the ideas of the world, and recognized no law in it (. . .) This intimate union of superior people, cold and teasing, smiling and cursing in the midst of a false and petty society (. . .) Thus there were in Paris thirteen brothers who were their own masters and yet under-estimated in the world (. . .) There were no leaders nor followers; no one could arrogate power to himself; only the most vivid passion, only the most demanding circumstance, was the best. There were thirteen unknown kings, but real kings, and, more than kings, they were judges and executioners who -- organized into flanks that could traverse the entire country -- deigned to be something else, because they could be everything."
*
All of Blanqui's texts are circumstantial texts. They are driven by the conditions in which and against which they were written. It isn't until l'Eternite par les astres [1872] that the Fort du Taureau is mentioned. From whence comes the nonexistence of Blanqui's oeuvre, in the sense of something that includes an entire treasure. From whence also comes the absence of a Blanquist doctrine as there exists a Marxist metaphysics. "A little passion; doctrines later!" There is, nevertheless, a Blanquist style.
"Revolutions desire men who have faith in them. To doubt their triumphs is to already betray them. It is through logic and audacity that one launches them and saves them. If you lack these qualities, your enemies will have it over you; they will only see one thing in your weaknesses -- the measure of their own forces. And their courage will grow in direct proportion with your timidity."
Everything's there. Blanqui is the author of the phrase "Neither God, nor master," the man who wrote "Honest [reguliere] anarchy is the future of humanity," and the author of an appeal against mutualism and in favor of integral association entitled "Communism is the future of society." Go find an orthodoxy there. Of course, constructing a revolutionary force when overthrowing an administrative monarchy, when there is only an elite to put down, this can be the work of an elite. When Bismarck's armies marched on Paris, acting in a revolutionary way was "making barricades and digging trenches; assigning churches to national usages; arming the priests and, consequently, suppressing all cults; mandating enlistment; placing food in common and rationing it; dismissing and dispersing the former police forces; and denouncing suspects and Bonapartists" (Dommanget, Blanqui [1972]). in current society, in which power circulates within the flows of nourishment, information and medicines; in which citizens take advantage of their rights to call the cops; it goes without saying that a revolutionary force must embrace all aspects of existence; it must be constructed as a force of supply-provisioning and as an armed force, as a power that is both poetic and medical; and it must seize territories. It must collect all useful intelligence about the adversary's organization and provoke desertions in all ranks of society. It must socialize itself to the same extent that the social becomes military. But no more than yesterday: things can't wait. Such a force is in the process of being constituted. If this force closely studies Blanqui, it is only to better understand the war in progress.
*
Time passes. That is its nature. As long as there is time, there will be boredom, and time passes. The past does not pass. All that has really passed carries in itself a spark of eternity; it is inscribed in some nook of communal experience. One can efface the traces, but not the event. One can indeed pulverize the memory, [but] each piece of debris contains the total monad of what one believed to have been destroyed and will engender it anew, when the opportunity arises. We repeat: historicism is a brothel in which one takes care that the clients never believe [the illusion]. The past is not a succession of dates, deeds or modes of living; it is not a closet full of costumes; it is a reservoir of forces and gestures, a proliferation of existential possibilities. Knowledge of it is not necessary; it is simply vital. Vital for the present. It is from the present that one comprehends the past, not the reverse. Each era dreams its predecessors. The loss of all historical meaning -- like the loss of all meaning in general -- in our era is the logical corollary of the loss of all experience. The systematic organization of forgetting doesn't at all distinguish itself from the systematic loss of experience. The most demented form of historical revisionism, which now manages to apply itself even to contemporary events, finds it compost in the suspended life of the metropolises, where one never experiences anything, except for [all] the signs, signals and codes, and their padded conflicts. Where one has experiences, private/tame experiences that float, mute, unwrittable and empty; implosive intensities that cannot be communicated beyond the walls of an apartment and that any narrative would empty out more than it shares. It is under the form of its privatization that the deprivation of experience expresses itself the most communally.
*
December 2006.[23] The ship of state is taking on water everywhere. Soon it will only be a look-out post. France burns and shipwrecks. This is good. It revives memories. The schools on fire burn in memory of the generations of proletarians who therein experienced the bitter taste of timetables, work and obedience, and incorporated the feeling of complete inferiority. Those who no longer vote honor the insurgents of June 1848 -- that "revolt by rebellious angels who have not arisen since then" (Coeurderoy) -- whom one put to the bayonet in the name of universal suffrage. The leftist intellectuals [of today] wonder on the radio if the government has the courage to send the army into the banlieus, just as their ancestors [who in the early 1960s] applauded the generals who, upon returning from Algeria, massacred Parisian proletarians, though the generals had gotten into the habit of "civilizing" the indigenous people [of that country]. Today as yesterday, this species of skunk calls himself republican and speaks of "the rabble." The imprisoned members of Action Directe have long ago surpassed their mandatory-minimum sentences. Regis Schleicher[24] soon will compete with Blanqui for length of incarceration. More than ever, the army trains for urban warfare. In France, the historical clock is stuck at May 1871. The question of communism is invisibly the only question that haunts all social relations, even porn. The universe fidgets in place. Last March 31st, a wild demonstration of 4,000 people lasts more than eight hours: from the intervention of the president of this senile Republic -- he came on TV to announce that the CPE would be maintained -- to four o'clock in the morning. The demonstration wants to go to the Eylsee, oblique to la Concorde sur l'Assemblee national, which it fails to approach [investir] due to lack of materials and weapons -- same thing for the Senate.
At the edges of the march, determination grows. A martial scansion is heard at the door: "Paris! Get up, wake up!" It is an order. On the Boulevard de Sebastopol, then at de Magenta, the windows of the banks and interim-job agencies begin to fall, one after the other, methodically. Prostitutes at Pigalle salute from a window. The crowd mounts le Sacre-Coeur to cries of "Vive la Commune!" The door to the crypt does not budge; what a shame, one could have burnt it down. Descending to a small street, a lady in a baby-doll outfit leans on her third-floor balcony and yells at the top of her voice, "The bad days will end."[25] The permanently-open office of the vile Pierre Lellouche[26] will soon be sacked. It is three o'clock in the morning. The past does not pass. The burning of Paris will be the worthy completion of Baron Haussmann's destruction.

(Signed "Some Agents of the Imaginary Party," this text was published as the preface to Dominiqu Le Nuz's collection of texts by Blanqui entitled Maintenant, il faut des arms, published by Editions La Fabrique in 2007. Translated from the French by NOT BORED! 26 May 2009.)

[1] Louis Auguste Blanqui (1805-1881) was a French insurrectionist.
[2] Unlike Zarathustra and Heliogabale, Gilles de Rais was a real person. But it is true that, for Georges Bataille, author of The Trial of Gilles de Rais, (original 1965, translated by Richard Robinson, 1991), de Rais was more (evil) than just a "mere" man.
[3] Gustave Lefrancais (1826-1901) was a French anarchist.
[4] Uncited quotations are phrases from Blanqui.
[5] Letter dated 6 June 1852.
[6] See Dionys Mascolo's preface to collection of Saint-Just's writings published by Gallimard in 1968.
[7] Surhomme in French and uber Mensch in German.
[8] To fasten, make firm, establish.
[9] Benjamin Flotte.
[10 Jules Valles, L'Insurge, published post-humously in 1886.
[11] Alfred de Musset, The Confession of a Child of the Century (1836).
[12] Released in 1979, this album is strongly influenced by the Situationist International.
[13] A "machine for living" (a house) designed by Le Corbusier in Poissy, France, between 1928 and 1931.
[14] The Instructions for an armed uprising was first published in 1866, while Eternity through the stars was published in 1872.
[15] A detournement of a famous phrase by Raoul Vaneigem: "People who talk about revolution and class struggle without referring explicitly to everyday life, without understanding what is subversive about love and positive in the referral of constraint, have corpses in their mouths." A great deal could be said about this detournement: 1) it removes love from the subversive equation; 2) it re-territorializes a remark from Vaneigem, whom Guy Debord once criticized for his "Blanquism" (see letter to Mustapha Khayati dated 13 November 1965); and 3) it reminds us of Debord's complete absence from this text on Blanqui, in particular, the following highly relevant remarks from Debord's Comments on the Society of the Spectacle.
"The notion of acceptable political crime only became recognized in Europe once the bourgeoisie had successfully attacked previously established social structures. The nature of political crime could not be separated from the diverse intentions of social critique. This was true for Blanqui, Varlin, Durruti. Nowadays there is a pretense of wishing to preserve a purely political crime, like some inexpensive luxury, a crime which doubtless no one will ever have the occasion to commit, since no one is interested in the subject any more; except for the professional politicians themselves, whose crimes are rarely pursued, nor for that matter no longer called political. All crimes and offenses are effectively social. But of all social crimes, none must be seen as worse than the impertinent pretension to still want to change something in this society, which thinks that it has only been only too kind and patient, but which no longer wants to be blamed."
[16] The Encyclopedia of Nuisances was founded as a group and a journal in 1984 by Jaime Semprun, Christian Sebastiani and others, in response to the murder of Gerard Lebovici, the editor of Editions Champ Libre. It began a publishing house in 1993.
[17] The EdN published a translation of the Unabomber's allegedly anarchist manifesto, "Industrial Society and Its Future," in 1999.
[18] Eugene Francois Vidocq (1775-1857) was a French criminal who became a police spy.
[19] The French here is tu es engage sur ta tete (literally, "you are engaged on your head").
[20] This review by Marx is available on-line in an English translation. Ironically, this website -- "Marxist," though it is -- is the best on-line resource for Blanqui's writings in translation.
[21] Potere Operaio ("Workers Power") was an Italian group active between 1968 and 1973.
[22] Honore de Balzac, Histoire des Treize: Ferragus, chef des devorants, XIII, 13.
[23] In the midst of spirited protests against the rescinding of the CPE (Contrat Premiere Embauche).
[24] Regis Schleicher, a member of Action Directe, was sentenced to life in prison in 1986.
[25] "The Bad Days Will End" was the title of an essay published in April 1962 by the Situationist International, and also the title of a film made by Thomas Lacoste in 2008.
[26] A right-wing French politician, born in 1951 and, one way or another, in power since 1993.


source: http://www.notbored.org/blanqui.html

Thursday, January 30, 2014

"Mind the Dash" a critical analysis of Theory of Bloom & Theory of the Young-Girl






























The somewhat recent (2012) translation of Tiqqun's Preliminary Materials for a Theory of the Young-Girl published by Semiotext(e) seems to be stimulating more conversation than the previous, less achieved, version. (Or at least the discussion is more above-ground and visible, likely due to Ariana Reines' new translation as well as the wider sweep of Semiotext(e)'s distribution.) At the same time, it feels as though the conversation has barely begun—at least in a written form. It occurred to me to intervene when this piece by Moira Weigel and Mal Ahern appeared in The New Inquiry and was circulated with the customary rapidity by its proponents. Jaleh Mansoor responded to Weigel and Ahern in The Claudius App, in a vein of greater familiarity with Tiqqun, with a decidedly more marxist, perhaps communist, take on the questions they raised. It is a strong piece, and I will acknowledge it in what follows, along with Nina Power's review in Radical Philosophy, which falls somewhere between the two in its usefulness. Unlike Mansoor, I do not think it is in their oversights that Weigel and Ahern deserve a rejoinder. From an anarchist perspective, at least for those of us who read Tiqqun with tremendous interest (without entirely aligning ourselves with some more or less imagined Tiqqunist position), what is striking about them is just how symptomatic their response is—how much it tells without setting out to be much more than a dismissal, a nice excuse not to read, or not to think about what you didn't really read. (The dismissal is, it's true, followed by a weak exhortation. But the exhortation feels tacked on and is unlikely to be the reason their piece made the rounds.) Weigel and Ahern's reading of Tiqqun reveals to us their political presuppositions and shortcomings; it also pushes us to make our investment in certain positions consonant with Tiqqun's more explicit. Anarchist conversations can be different if anarchists are willing to read everything more symptomatically—Weigel and Ahern and Tiqqun, yes, but also our own bodies, our own lives. What follows, then, is not an attempt to defend Tiqqun, much less to show the right way to read them, and more of an outline of what I would like to discuss—a sketch of a conversation some of us are learning to have.

To begin, a summary of what is at stake in Preliminary Materials for a Theory of the Young-Girl (PM). First, it was included in the first issue of the Tiqqun journal (1999) and then published separately by Mille et une Nuits (2001). Second, there is a clear conceptual linkage between the Theory of Bloom (published in the same issue, and also republished separately) and these Preliminary Materials. Bloom and Young-Girl are figures that appear in both texts (as well as here and there in Tiqqun's other writings). To enter into this topic I'll cite an appraisal of Tiqqun for antagonist projects from the recent collection Impasses:

In Theory of Bloom and Preliminary Materials for a Theory of the Young-Girl the critical work proceeds through figures. Bloom and Young-Girl are figures. They are not concepts ... they are not demographic designators. They figure social phenomena that emerge in the twentieth century. These social phenomena have to do with forms of experience and subjectivity. When we talk about these in the U.S. way, we usually use the impoverished lexicon of identity politics.
Bloom and Young-Girl are part of what Tiqqun attempted in this journal—to borrow the quaint title of another piece in that issue, a "phenomenology of everyday life." The aim is to see what is learned if we can describe some aspects of what manifests (what is made to appear) in societies like ours as Bloom, or as Young-Girl. That is what they mean when they write that Young-Girl is a "vision machine" constructed with the aim of "making the [social] battlefield manifest." The theory of Bloom is developed in a mostly philosophical mode; the materials for the theory of the Young-Girl are gathered as fragments and presented as preliminaries, as if work remains to be done—or must be left incomplete out of some unnamed necessity. I will return to this below. Third, Young-Girl "is obviously not a gendered concept." I repeat this because it merits repeating; it merits repeating because it has not been understood. Young-Girl, as a figure, allows us to map out and detect ways in which apparatuses of power produce, grasp and model the libidinal sphere in every sense, including those desires which so naturally or culturally seem to cleave into the two-and-then-some of sexual difference or the immediate manyness of genders. Put differently, though the figure is not intended to render a gender visible, it does model something about how gender has come to operate, insofar as gender is a crucial aspect of certain forms-of-life well integrated into societies like ours. Our good liberals and bad radicals enjoy saying that once a sexual or gender identity has been claimed or reclaimed by someone, it is, at least to some extent, free of power relations, of domination. We counter that the model (explicit for the liberals, implicit for some radicals) for the value of this recognition is and always has been recognition by the state and the granting of legal and moral rights, of new forms of personhood; that, when it is not the legal model, it is the model of creative consumption, in which I believe I am discovering and expressing my true self as I navigate commodity-space; and concurrently that to expand the field of the normal (i.e. more rights, commodities tailored to what I think are my needs) will never amount to the kind of disruptive liberation we anarchists are after. I will return to this matter as well. Fourth, Bloom and Young-Girl are in a complicated relation of partial resonance with a third text published in Tiqqun 2, Sonogram of a Potential. This piece argues for an "ecstatic feminism" along lines I find congruent with my reading of the Bloom/Young-Girl dyad. I will make passing reference to Sonogram, though I do not mean to absorb it entirely into the theoretical space of the first two. Sonogram deserves its own discussion.

Weigel and Ahern make several symptomatic mistakes, or force several misreadings, concerning the least ambiguous aspects of Preliminary Materials for a Theory of the Young-Girl. The first is that, after an initial reference, they refer to the book as Theory of the Young-Girl. But the book is not The, or A, Theory of the Young-Girl. To treat a text that presents itself as preliminaries, outlines, notes, "trash theory", as a finished product, is to ignore the first and clearest sign its author or authors could give as to how to approach it. This is telling considering the amount of space they devote to inveighing against a supposed irony in PM. It does not seem to me that PM communicates in any single tone, and, if it does, it would be something less ambivalent, such as "hate [of] the Spectacle." Second mistake: they repeatedly state (and base part of their criticism on the claim) that Tiqqun wrote anonymously. But obviously, Tiqqun did not write anonymously; they wrote in and as Tiqqun. (Inability to distinguish between true anonymity and the use of pseudonyms, heteronyms, shared names such as Tiqqun, and multiple-use names (e.g. Luther Blissett) suggests, again, willful ignorance of the most obvious clues to interpretation.) Weigel and Ahern not only assimilate pseudonymous to anonymous writing, but more strikingly claim that here such practices "abet sexism" (note legalistic language). Mansoor responds appropriately on this point, arguing that pseudonymity and non-attribution of sources are in fact "an attack on the politics of textual propriety, the law of the copyright and of the father." To which an anarchist might add that it is no surprise that our academics insist on identification of authors and citation of sources, and that we like to write, read, and discuss writing that refuses that insistence.
Weigel and Ahern get one thing quite right: Young-Girl is a figure. But they immediately botch their response by assimilating the figural to the real, as if Young-Girl were an idea, a concept, of actually existing young girls. They are like those who read Anti-Oedipus and get confused or offended when they "realize" that Deleuze and Guattari think psychotics should be shuffled into the place of the revolutionary subject. Or like those who read Nietzsche on the overman and think it is an argument for a genetic homo superior. (To someone who responds to PM by asking "Wait a minute, how has all the concreteness of the world taken refuge in my ass?", one might well answer: "Wait a minute, why are you so comfortably identifying with a figure of hyperconsumption?") What does it mean, then, that Weigel and Ahern fail to mind the dash and so miss what is figural about the figure? It means that they are able to read obtusely, "ontically", as Nina Power puts it, whenever they need to make the claim that there is sexism or misogyny afoot in PM. The figure loses all of its diagnostic and critical power when it is grasped so crudely. It is not a theory of young girls we are talking about here, so why read it all as though it is about girls or women? It is a satire, in some sense, but not a satire of or about women or girls. It is a satire, or really a détournement with dark satirical effects, about gender and power, about how power works through gender (not just as sexism), about how we cling to gender and so to the power that works through gender. Ariana Reines wrote a fascinating set of notes on her work on PM. Her opinion:
I’d like to point out for the Anglophone reader that although the introduction asserts that the “Young-Girl is evidently not a gendered concept,” and that the term is applicable to young people, gays, and immigrants, French is a gendered language; and that, moreover, the genderedness of French is not the only way to account for the fact that this book, as it accumulates, does become—in some sections more than others—a book about women. With everything biological and constructed the term women signifies. A book about us. It contains passages rife with heterosexist ressentiment and, occasionally, whiffs of (what seemed to me to be) female intellectual rage against the more vapid and conformist members of our sex.
Reines puts her finger on the risk that PM runs, the risk, precisely, of a response like Weigel and Ahern's: the accusation of garden-variety sexism, or, worse, extreme misogyny. No, it is not a side effect of the French language; it had to run this risk to make its point. No, the possible "female intellectual" did not have to out and name herself to keep the text safe from such accusations; it would have botched precisely what makes it work. ("Tiqqun claims it has lady members..." write Weigel and Ahern. Identify yourselves for proper textual/political evaluation.)
A remark about what makes it work: the reason, I would suggest, that the book is called Preliminary Materials is that so much of it is a collection of détourned texts. (Reines: "You should know that when a passage in the text sounds like a women’s magazine, that’s because it comes from a women’s magazine"). Now, the practice of détournement was conceived by the Situationists out of desperation, as they were seeking to abolish (among other things) art as a separated sphere of life. Their analysis was that any new creation (painting, film) would either prefigure, or simply work as raw material for, future commodification—if it did not already and inescapably bear the commodity form. As a response they attempted creations composed of repurposed images or fragments, whose contrast and conflict would not just represent but enact the negativity they felt towards the world. "This combination of parody and seriousness reflects the contradictions of an era in which we find ourselves confronted with both the urgent necessity and the near impossibility of initiating and carrying out a totally innovative collective action" (Situationist International #3, 1959). That is why Weigel and Ahern are wrong to simply describe this part (most) of PM as "Situationist-ish collage." A collage suggests a fanciful assemblage of images that go well together, like a grade school assignment to make a poster showing what you want to be when you grow up, which assumes the images of your prospective adulthood are already there, waiting for you to shop among them and creatively recombine them. Détournement, however, is primarily negative—it concerns what cannot be said, shown, or felt except by glaring, sometimes violent contrast of text and image. It shows or says that what you want to show or say can't be shown or said—its negativity arises from the feeling that life is impossible, that you have no way of being who or what you want to be.
So if and to whatever extent this book seems to be about girls or women, those girls or women are to be understood, I would say, along the lines of such a negativity. A future theory of the Young-Girl must pass through the negative reference to woman, girl, femininity, femaleness, all of that, because it follows the articulations and investments of power apparatuses in societies like ours. "The 'youth' and 'femininity' of the Young-Girl, in fact her youthitude and femininitude, are that through which the control of appearances extends to the discipline of bodies" (PM). Reines' other main point: sustained work with the text produced in her a disturbing somatization. "I mean it gave me migraines, made me puke; I couldn’t sleep at night, regressed into totally out-of-character sexual behavior." I imagine this is because it produces its effects precisely by rubbing the most disgusting aspects of our culture of consumption and recuperation in your face—not just citations of sexism or misogyny but terrible evidence of your participation in them, the way that you are capable of embodying the Young-Girl. (Reines' nausea as a symptom of the unnamed necessity that leaves the materials in a preliminary form.) That is the darkness of its satirical effects, the negativity at work in its détournement.
That said, one could go too far in thinking that the reference to girls or women is all there is to the figure. Does this not also become a book about young people? Yes, because the apparatuses also invest the "youth" of the young, the citizens and consumers of the future, and the unlucky faces of every perverse desire of the now. Why do Weigel and Ahern not discuss the Young- component of Young-Girl? The short answer is that they have a target in mind: the Man-Child (note that, since man-child is hyphenated in ordinary use, this expression elides whether or not it is a figure, the Man-Child, or just man-children here and there who are under discussion—precisely their confusion about the figure of the Young-Girl). To make their point, they must treat PM as an off-balance, sexist critique that requires its balancing answer. Mansour detects the imaginary of equality at work here, and aptly intervenes:
[They] rely on a brand of feminism that takes symmetry for “fairness,” “equity” for “equality,” as though those were not already part of the metrics on which our contemporary social relations are founded. ... We are supposed to find our place, as good citizens, in the immense system of equivalence posing as equality. [...]
What we need is not a program, especially one of equality when equality in the face of the uneven history, of women under patriarchy and capitalism, has served to subjugate us ever more under false promises of wealth and legal juridical recognition.
Here we could also listen to Sonogram:
There is no equality possible between men and women, nor between men and men or women and women. The smooth surface of abstract arithmetic that forms the basis for the illusion of democracy constantly cracks under the obvious weight of irreducible ethical differences, under the arbitrary nature of elective affinities, under the suspicion that the circulation of power is a question of qualities that become incarnate, that power passes through bodies.
All of which is to say that, while Weigel and Ahern state that Tiqqun's theory "is at the tail end of a radical tradition that has largely exhausted its usefulness," we might notice that Tiqqun, in PM and especially Sonogram, set out from an exhaustion or impasse within feminism. The latter text strongly modifies the term with the adjective ecstatic in view of that impasse, while the former bluntly states: "The triumph of the Young-Girl originates in the failure of feminism." According to Tiqqun, the more liberal forms of feminism were easily absorbed into social institutions whose basic coercive function was not altered, whereas the more autonomist and radical forms faced the same sociocultural counteroffensive as the entirety of the revolutionary Left (in this sense it is instructive to read Tiqqun's two histories of the Italian 70s, This is Not a Program and Sonogram, side by side). I'll briefly add that the attention-grabbing complement to Weigel and Ahern's (as Mansoor rightly puts it) brand of feminism, the conceit of the Man-Child, is, as a joke, a dud; as criticism, it is limited to the narrow range of dudes in humanities graduate programs (who may well be neurotic and annoying, but aren't especially the locus of power in a society like ours). What is worst about this preconceived target, and the sloppy reading of PM that Weigel and Ahern seem to need to pass through to get there, is that "his" irony allows them to misconstrue the practice of détournement in PM, which would otherwise have been an obstacle to their literal, ontic reading. And it is in this reading and its easily "actionable" object (the desideratum of "fairness" feminism, which always knows how to act once it finds the inequality to be equalized) that the mild popularity of Weigel and Ahern's piece lies. Who cares what some obscure group had to say about capitalism and identity? It is complicated and difficult reading. It is easier to denounce man-children—who, let me be perfectly clear, I have no intention of defending.
But some of us anarchists would rather understand what the obscure group had to say about capitalism and processes of identification, even and especially if it troubles such moral and political commonplaces as fairness and equality; even and especially if it risks the thought of the failure of feminism so as to learn a different kind of lesson from its history. Back to the figural, then. The anonymous commentator in Impasses underlines that Bloom and Young-Girl have a mutual source. "For the Young-Girl as for all other Blooms, the craving for entertainment is rooted in anguish" (PM). But Blooms sometimes resist, and part of that resistance may be to write their own theory (said theory is still "of Bloom" in the other sense of the genitive); Young-Girls, by comparison, do not resist; they consume and express themselves, they seduce and are seduced, and so their theory never comes together. For example, Bloom figures a crisis of sexuation, and Young-Girl figures the hypersexuality that is offered as the resolution to that crisis. Asexuals versus the pornosphere... It is in this sense that the figure of the Young-Girl is a diagnostic and critical tool. Its aim is not to represent or replicate a reality whose banalities (including the banality of everyday misogyny) some of us know all too well. Its aim is to allow us to understand the deployment of a particular kind of apparatus that invests the seemingly natural or culturally familiar categories of age and gender as counter-measures to the potential for social disavowal named Bloom. "Young-Girls constitute the most lethal commando THEY have ever maneuvered against heterogeneity, against every hint of desertion" (PM). We begin by cleaving society, along psycho-political lines, into those that resist, flee, or are at least capable of it, and those that do not. We note that the former can become part of the latter; and we note that the categories of age and gender are deployed selectively, qualitatively, as part of that operation.
Two provisional conclusions. First: to discuss the figure of Young-Girl as Weigel and Ahern do—not only ontically, but also apart from its relation to Bloom—is to miss precisely what an antagonist might find useful in it. The writer in Impasses observes that Bloom is a figure of anomie, of anyone's disinvestment in society and social norms and bonds. This happens first as a seeming alienation, an implosion of the self's reality:
... Bloom correspond[s] to a sense of being unreal without trusting the path offered back to the real. A first approach to the Young-Girl is to grasp that it is the figure of someone who abandons that sense of unreality in favor of what THEY offer as the path back to the real. Overall this is to be understood as an effect of power, a re-binding to the social real.
This is the Young-Girl as "offensive neutralization apparatus," according to PM. It is aimed not at everyone, but specifically at Blooms, at what is Bloom in anyone and everyone. "If Bloom's desire reveals no ultimate truths about oppression or freedom, it does on the other hand permit or prohibit desubjectivation; it increases or diminishes collective potential" (Sonogram). If Bloom is the refusal, sometimes the impossibility of work, look in what company the Young-Girl appears, according to This is Not a Program:
... work also has a more directly militaristic function, which is to subsidize a whole series of forms-of-life-managers, security guards, cops, professors, hipsters, Young-Girls, etc.—all of which are, to say the least, anti­-ecstatic if not anti-insurrectional.
The anon in Impasses comments:
With the figure of Young-Girl we name the two principal contemporary forms of reintegration: identity and consumption as lifestyle. In their closely connected functioning, as identification with the Spectacle, the fundamental ambiguity of Bloom is betrayed, and the plans for exit are botched. The Young-Girl, Tiqqun say, is a model citizen; here citizenship is redefined as an explicit response to the threat of Bloom’s indifference to society.
The apparatus produces the phenomena that are found and figured as Young-Girl. Both aspects, Young- and -Girl, are vectors of commodification and reintegration, working together to generate permanent instability. Gender is part of the operation, but not gender alone. Age may undermine gender, and gender may undermine age. By this I mean that Young-Girl indicates the spurious empowerment of (some) women and (some) youth in societies like ours (the Spectacle's "praise of femininity" (PM)), and at the same time the way that no position or identity thusly empowered is ever safe or stable. The paths to reintegration may almost always be described as modes of consumption: for young people, to consume what will make them pass as belonging to a world to which they are not yet fully adjusted (making them either mock adults or participants in subcultural pseudo/practice worlds); for women, to consume what will show their proper integration into society (as either an "equal" to men or belonging to a recognizable and recognized political protest ideology or grouping). "Blending into a fatal and complacent intimacy with things has become the mass activity for fetish-compatible Blooms" (Sonogram). The most criminalized, the most persecuted, the most vulnerable in all these games of power are precisely those who do not or can not be reintegrated, because they do not or can not participate in the necessary kind of consumption. Though we may have to fake it for the sake of survival.
Second provisional conclusion: to clearly distinguish between a moralistic, rights-and-recognition based, pro-identification politics and our anti-political alternative would be to rearticulate what is on the lips of so many people, especially young people, these days: that it is not only for seeming to belong to the wrong group that one is put down, shut out, yelled at, chased, beaten, and murdered, but especially for not seeming to belong to any group at all. So say those who today call themselves genderqueer or gender-nonconforming or other phrases that denote not identities but gaps between identities. So say those who for one reason or another are considered less than citizens of the Nation and bad subjects of (normal or other than normal) Sexuality. So say those for whom life in public and in private is lived as an interminable series of sex tests, gender tests, pleasure tests, body tests. One position would ask those of us who feel this way to answer the test questions, to settle on an identity, a name, a social zone, a project of seeking recognition and rights, and to wait for the crumbs to be handed out. Our anti-politics asks what there is left to do to live however we can and however we like, pushing aside every attempt to commodify the way we wear our outsiderness...
The tension is clear. Bloom is the figure of those who escape from identification—their potential rebelliousness, fragility, insanity, dangerousness, and so on. Young-Girl is the figure of those recaptured by identification in a process that makes identification seem liberatory insofar as it appears as their own and not imposed on them. "Reappropriating difference, which meanwhile has become biopower’s primary management tool, is obviously a lost cause" (Sonogram). And if age and gender are at work in this apparatus then what is at stake for us is, indeed, the question of gender. It is also what is glossed over by Weigel and Ahern: the question of youth. Like Mansoor, we are stridently anticapitalist and thus we respond differently to Tiqqun's critique of social life in societies like ours than Weigel and Ahern. Far from a project of seeking equality or rights, we are driven to observe that almost any affirmation of gender—as natural, as socially constructed, as culturally specific, etc.—may be absorbed by the Young-Girl operation. That does not mean that any given one is or has been; but we are brought to admit that we need ethical criteria where none are to be found. Which is why some of us have been trying to elaborate more clearly (which may simply mean: practically) what the abolition of gender means. And though no one is speaking about the abolition of age, there is also an implicit negativity in our conversations towards the very path of life as it is set out for us. People used to, perhaps still do, talk about the liberation of youth. Some of that is relevant here; but really the issue is that the age category itself makes increasingly less sense to those who have no discernible path to a stable adulthood, and those for whom adulthood can only be envisioned as a "comfortable" slow-motion implosion, for all of us torn from any acquaintance with a biological progression in our own bodies that is not also an awareness of the movement, pulse, gestures of power.
None of this is to say that what are clearly marked as Preliminary Materials for a Theory that, almost fifteen years later, has yet to appear, are sacrosanct or sufficient for an understanding of this tension, this terrain, this power. But it is to say that those who set out to criticize Tiqqun's text without acknowledging such matters, or chalking them up to the rhetorical hyperbole of radical theory, are assuming precisely the normalcies and normativities that anarchists of our Tiqqun-reading stripe are out to destroy. "Because the only honorable departure from a minority status is not the achievement of recognition by the dominating majority or a change in force relations, but the deconstruction of the whole mechanism of recognition itself and of the idea of victory" (Sonogram). "A communization of bodies is to be expected" (PM).

source:
http://anarchistnews.org/content/mind-dash

Thursday, October 28, 2010

New Communique from France : First round: It continues!...












Hello Everyone, this is a message from Void Network.
We just recieved this message and we propose you to read and
distribute this communique:

Here is a translation of the most recent communique

from an assembly that has been occuring in Paris. Please post and
dsitrubute (posting is extremely helpful)
This communique was distrubuted as a flyer at
a demonstration in Paris today.
There are more communiques to come as
soon as they are translated.
Solidarity, Calamity Barucha
 
First round: It continues!

For more than three weeks, a high scaled social movement is underway
in the country. Pension reform has been it's starting point.

We are well aware that everything is being done to make the weapon of
striking less effective. The state uses the tools of law- legal
obstacles and requisitions; and on the other hand, the atomization and
segmentation resulting from the last thirty years of re-structuring of
capital tends to neutralize the destructive capacity of the strike.
The days of mass protest, to their limited effects, had the main
interest of the base finding it's legitimacy to grow and go beyond the
framework imposed by the unions. It is through the blockading,
especially in strategic points of the petro-chemical and
transportation sectors, that the movement gave itself the means to
intensify the power struggle, despite attempts by the government and
media to separate "good strikers" from blockaders, as they have done
for a long time between demonstrators and rioters. But it is the very
distinction between who has the legitimacy to fight and who doesn't
which is necessary to break. Thus, it was the high schoolers, who,
landing with a crash into the movement, practiced blockades of
establishments or major roads, aswell as  riots to express anger
against the state and commodities.

For all those who believe that reform is only part of a general
deterioration of our living conditions; for all those who may not have
direct means of blocking  production but have refused to resign;

For those who think it is necessary to go beyond the categorical
separations maintained by capital; For all these, the practice of
flying picket (translators note: a flying picket is a technique which
has been used throughout France but particularly in Rennes-it is the
practice of small groups who scatter throughout the city and block
activities, transport, general circulation. These groups have been
reported to be a mixed-make up of particpants, such as unemployed with
unionist, ect) can be effective. Re-inforce existing blockades aswell
as create new ones  where we consider it useful; but also as a way to
gather together to coordinate and organize.

If unions in agreement with the government and the media, seem now
whistle the end of the game,  the movement  nevertheless continues.
Diffuse and persistent anger suggests the opposite of what they
advertise: Not the end of the struggle but the beginning of their end!
We will find ourselves in a assemblies to discuss the following
movement.

Paris:Go to the Porte St Martin (M ° Strasbourg-St Denis) for a
procession in protest under the banner "Strike, lock, riot-every age
loots their cage!"

Thursday 19h, the CICP, 21ter rue Voltaire, Madame Rue balls Friday
19h to IPC, 17 Quai de Charente, M ° Corentin Cariou The next
appointments will be announced on the title
http://paris.indymedia.orgsous "First round: it continues! "Contact:
turbin@riseup.ne


In French-

Premier round : On continue !

Depuis plus de trois semaines, un mouvement social c est en cours dans
le pays. La réforme des retraites a été son point de départ.

On se rend bien compte que tout est fait pour rendre l’arme qu’est la
grève moins efficace. L’Etat use des outils du droit, entraves légales
et réquisitions ; d’autre part l’atomisation, la segmentation issues
de la restructuration du capital de ces trentes dernières années
tendent à neutraliser la capacité de nuisance de la grève. Les
journées de manifestation massive, aux effets alors limités, ont eu ce
principal intérêt pour la base de se trouver une légitimité et de
pousser et déborder les cadres imposés par les syndicats. C’est par le
blocage, notamment dans les secteurs stratégiques de la pétrochimie et
des transports que le mouvement s’est donné les moyens d’intensifier
le rapport de force, malgré les tentatives du pouvoir et des médias de
dissocier bons grévistes et bloqueurs, comme ils le font de longue
date entre manifestants et casseurs. Mais c’est la distinction même
entre qui est légitime à lutter et qui ne l’est pas qu’il faut briser.
Ainsi, des lycéens, débarquant dans le mouvement avec fracas, ont
pratiqué blocages d’établissement ou de voies de circulation et aussi
émeutes où s’expriment une certaine rage contre l’Etat et la
marchandise.

Pour tous ceux qui considèrent que cette réforme n’est qu’un élément
d’une dégradation générale de nos conditions de vie  ; Pour tous ceux
qui n’ont pas forcément les moyens directs de bloquer la production
mais refusent de se résigner ;

Pour tous ceux qui pensent qu’il est nécessaire de dépasser les
séparations catégorielles entretenues par le capital  ; Pour tous
ceux-là, la pratique du piquet volant peut être efficace. Renforcer
des blocages existants aussi bien qu’en créer là où nous l’estimons
utile ; mais aussi se retrouver pour se coordonner et s’organiser.

Si les syndicats, en accord avec le gouvernement et les médias,
paraissent à présent siffler la fin de la partie, le mouvement perdure
pourtant. La colère diffuse et tenace laisse entrevoir le contraire de
ce qu’ils annoncent : non la fin de la lutte mais le début de leur fin
! Retrouvons-nous en assemblée pour discuter de la suite du mouvement.

Rendez-vous à la porte St Martin (M° Strasbourg St-Denis) pour un
cortège dans la manifestation sous la banderole « Grève, blocage,
émeute, chaque âge saccage sa cage ».

Jeudi 19h, au CICP, 21ter rue Voltaire, M° Rue des boulets Vendredi
19h, à la CIP, 17 quai de Charente, M° Corentin Cariou Les prochains
rendez-vous seront annoncés sur http://paris.indymedia.orgsous le
titre « premier round  : on continue ! » contact : turbin@riseup.net