Last week Banksy declared that all profits from his current print sale would be gifted to Russian art anarchist group Voina. Known for drawing an enormous cock on a bridge opposite the ex-KGB offices, and instigating asex party in a museum (see above). We spoke to the group (half of which were replying from prison).
Could you introduce yourselves and tell us about the structure behind your group?
Alex Plutser-Sarno: At present in the center of the structure is a high impenetrable wall of the St. Petersburg prison, behind which two artists, Oleg Vorotnikov and Leonid Nikolayev, are slowly fading away. You have to understand that Russian prison is hell. Being at large Natalia Sokol keeps coordinating the work of the group. I keep making media-art, writing conceptions and texts. The actions are published in my blog. There are some other activists in the group, who do important work, but their names remain unrevealed, otherwise the Russian insane right-wing authorities will arrest them as well.
What is the inherent philosophy of the group?
AP-S: Every activist of the group has his/her own philosophy. In the political aspect we, of course, sympathize with anarchists, socialists and in general with all left-wing radicals. But first of all we are artists – not politicians or philosophers. And using our artistic methods we destruct the outdated repressive-patriarchal symbols and ideologies.
What does anarchy mean to you, and how can it make Russia a better place to live in?
N.S.: Anarchism with all the utopian character of its ideas is the only cohesive, honest and fearless power.
Where does Voina fit in the current tendencies of contemporary art as well as in the context of political science and human rights?
A.P-S: Art is, first of all, a mode of thought, the ability to look at this mad world from a completely new point of view. Not to speak of the human rights, that are right out raped and crucified all over the world, so we will pass them over in silence.
Could you outline the ideas behind a few of your conceptions?
L .N.: The main thing for the artists is to be honest and not to make compromises. In Russia they put people to torture and execution - the prisons are again full of dissenters. Xenophobia and homophobia reigns. A new slave society is build. Cops beat and kill people. And here we are – holding the action Palace revolution, turning the police cars over. That was our artistic reform of the Ministry of Home Affairs
O.V.: Or, for example, on the Moscow City Day, as a protest, the Voina group came to the city's biggest supermarket Auchan, where in the department of Light organized an execution by hanging of 3 illegal Central Asian migrant workers, 1 Jew and 1 homosexual. The lynching came as a present to the corrupted Moscow Mayor Luzhkov who pursued a policy of misanthropy and violation of human rights. We made this action as a commemoration of 5 Russian revolutionists, who were hanged in 1826. That’s why the action is called “Decembrists commemoration”. We wanted to make the Russians remember the libertarian ideals of the country’s first revolutionists.
A.P-S: When the prominent curator Andrei Yerofeyev was accused of fomenting ethnic and religious hatred and "insulting human dignity" for organizing an exhibition and was brought to the court, the Voina art collective interrupted the case hearing by performing a new song All Cops are Bastards from the album Fuck the Police Those Motherfucking Bosses right into the courtroom. The idea was simple, the implementation – honest and uncompromising
What do you think about a commentary on activism or radical art in Russia?
N.S.: Contemporary art is, first of all, an art activism for us, and not the piles of the art-rubbish kept in the galleries. Today activism is the only form of the radical left-wing art, which we are trying to revive in Russia. It’s important to understand that there is no any other radical art in Russia, except for the one represented by a dozen of art-activists.
Tell us about the experience of being arrested by the Russian anti-extremist police?
N.S.: Oleg Vorotnikov and Leonid Nikolayev were arrested illegally. People, who broke into the flat and left it in the terrible mess, didn’t have an arrest warrant. Everything was carried out in the Stalin style of the year 1937. Afterwards the artists, handcuffed and with plastic bags on their heads, were carried from Moscow to St. Petersburg for 10 hours on the floor of the minibus. The arrested were beaten with legs. Oleg Vorotnikov has hematomas in and around head and kidneys. This fact is recorded by the human rights advocates, who visited the arrested artists in the investigative isolation ward two weeks after the arrest. The bruises and scratches were so serious that they didn’t disappear in two weeks.
Plucer's diary of events can be read here: http://plucer.livejournal.com/266853.html
To help Voina visit the site http://en.free-voina.org/.
source: http://www.dontpaniconline.com/magazine/radar/russian-art-anarchists-explain-themselves
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